Angels & Demons ( The Lost Symbol , Ron Howard, 2009, based on the novel by Dan Brown), provides a clear example of what happens when a script divorced the nature of his alleged central figure in the fact in which it appears involved. Robert Langdon, professor of iconography and symbolism that stars in the story is, as stated on several occasions throughout the film - a hardened atheist. And it seems that the writer (and beyond it, the writer of the original novel) had wanted to establish such status in order to "problematize internally," the character, but this trait, which not is a crucial feature, since it is not tested by the events of the story, the protagonist does not produce any internal conflict, nothing that happens in Angels and Demons Langdon committed atheism. Or in other words, the film fails to build the dramatic situation Langdon placed in the dilemma of choosing between their actions and believe, between his work and his being. What this shows, and for this, structures such as failed Angels and Demons are a school-is that a script can not reach deeper dramatic if you can not ascribe the main character who is deeply in nature in conflict with the circumstance that places the history . This is the core Basic Structure Type and properly structured nucleus appears that in most of the films properly dramatized, both gender, as author, from Star Wars George Lucas of up SEOM of Kim Ki-duk. The crucial feature of the character is a manifestation of nature that tests. Therein lies the secret of a good story dramatized. In this basic concept Write Method ® lies much of its power.
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