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Libertador Morales: the power of a feature

Libertador Morales, the Just , our dear Efterpis Charalambidis, demonstrates the importance of a screenplay that his Central Character is solidly built around its crucial feature . This fact, perhaps elementary, but quite often neglected, this gives strength to the structure of a script, that any weakness in the progression of external action, digression, momentary loss with respect to the goal of history, etc .- passes into the background. Unlike those who see the essence of the "structure" in the ordering of events in the script (such as Syd Field) Write Method ® underlines the power of the test figure. To Write ®, a story is not only the inventory of a series of cleverly arranged events, but also the result of a feud between the external surrounding an inner character and tested. This race is very clear in Libertador Morales, the Just and so the film does say with clarity that the justice that moves, is that which comes from human sensibility.

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Angels and Demons or the futility of a trait


Angels & Demons ( The Lost Symbol , Ron Howard, 2009, based on the novel by Dan Brown), provides a clear example of what happens when a script divorced the nature of his alleged central figure in the fact in which it appears involved. Robert Langdon, professor of iconography and symbolism that stars in the story is, as stated on several occasions throughout the film - a hardened atheist. And it seems that the writer (and beyond it, the writer of the original novel) had wanted to establish such status in order to "problematize internally," the character, but this trait, which not is a crucial feature, since it is not tested by the events of the story, the protagonist does not produce any internal conflict, nothing that happens in Angels and Demons Langdon committed atheism. Or in other words, the film fails to build the dramatic situation Langdon placed in the dilemma of choosing between their actions and believe, between his work and his being. What this shows, and for this, structures such as failed Angels and Demons are a school-is that a script can not reach deeper dramatic if you can not ascribe the main character who is deeply in nature in conflict with the circumstance that places the history . This is the core Basic Structure Type and properly structured nucleus appears that in most of the films properly dramatized, both gender, as author, from Star Wars George Lucas of up SEOM of Kim Ki-duk. The crucial feature of the character is a manifestation of nature that tests. Therein lies the secret of a good story dramatized. In this basic concept Write Method ® lies much of its power.